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Download Matteo Font Family From Indian Type Foundry

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Download Matteo Font Family From Indian Type Foundry Matteo is a family of geometric sans serif fonts. Designer Diana Ovezea has given the family an Italian name so that users might call fast cars to mind when they see it. The family includes 14 styles; there are seven weights, ranging from Thin to Bold. Each of these includes a companion italic. Matteo’s italics have an extreme angle (15º), which is quite unusual for a sans serif design. These italics are oblique in form, with a single-storey ‘a’ in place of the upright’s double-storey ‘a’. Matteo is an excellent selection for use in editorial and corporate identity designs, as well as advertising or annual reports. The shapes of its letterforms, as well as their spacing, have been optimized to create a pleasant reading experience, even in longer texts. The most prominent feature of the typeface is its geometric construction, which is based on circles and ovals. Letterforms in all seven of t

Download Copenhagen Grotesk Nova Font Family From David Engelby Foundry

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Download Copenhagen Grotesk Nova Font Family From David Engelby Foundry Copenhagen Grotesk Nova is based on its 2015 predecessor (Copenhagen Grotesk). The Nova is carefully designed with new details, a simpler set of glyphs and with moderate descenders and ascenders in relation to less accentuated capitals. Download the whole font family of light, regular and bold for free! Download Copenhagen Grotesk Nova Font Family From David Engelby Foundry Download Now View Gallery

Download Size Font Family From SD Fonts

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Get Download Size Font Family From SD Fonts Retro style is hip, so are early 20th century poster fonts. Size is based on these extra condensed letter forms. In the 19th century the need to communicate commercial messages on limited poster space brought up extremely condensed fonts creating a new typographical look. Since not really legible in small sizes these fonts nearly disappeared with the change in the commercial communication in the 20th century. For a couple of years now, these extra condensed fonts have a revival copying the exact historical appearance of its predecessors. Size, though also seeking the inspiration in the historical draft, furthermore aims to interpret this compressed look in a more vivid way by not closing in on the open counters of the round letters, but having its stroke endings slightly curved. Since other characters are defined by straight strokes, Size displays a look more vital and candid, but still distinct,