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Download Manche Fonts Family From Namela

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Download Manche Fonts Family From Namela Introducing our newest font called Manche . is a sans serif font with a geometric feel, The younger brother of Counte , made with the same “blueprint” but this font is developed more from the previous experience of designing Madani fonts.  Equipped with 3 types of Width and 9 Weight as well Oblique resulting in 54 font family. This font is designed for the needs of digital printing, text, display and others so that it provides many options for various functions. Available in many languages and opentype features. Download Manche Fonts Family From Namela Download Now View Gallery

Download Aligarh Fonts Family From Namela

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Download Now Server 1 Download Now Server 3 Download Now Server 2 Aligarh is a semi-slab serif font formed with a smooth rounded bracket whose edges end with unique shapes , an exploration of combining unique styles in a typefaces. Designed to be used in a variety of media both print and digital media. 18 fonts built from 9 sizes and supported by open types.  Download Aligarh Fonts Family From Namela

Download Rondana Font Family From Sudtipos

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Download Rondana Font Family From Sudtipos Crafted in the best tradition of the geometric sans-serif, Rondana is a typographic tribute to the the retro-futuristic aesthetics of the 1960s and 70s, as well as an exercise in purity of line. However, its spirit is decidedly non-bauhausian, since its strokes intentionally deviate from the dull, obvious, ruler-and-compass construction; its arcs and curves being much more complex, tending towards a slightly square shape, imbued with subtle modulations. This sums up to a more organic, flowing, extroverted personality than the one just expected from the use of plain, simple geometry. Another feature is the conscious use of non-standard shapes for many signs, that are quite legible but somewhat unexpected, such as the E, the g and the ampersand; making Rondana an excellent display face and also giving a particular flavor to the text composed in it, especially in its italic variants —which are, by the